Kunstaktion auf dem Prime Tower
About points...
We associate a certain number of points with each exercise.
When you click an exercise into a collection, this number will be taken as points for the exercise, kind of "by default".
But once the exercise is on the collection, you can edit the number of points for the exercise in the collection independently, without any effect on "points by default" as represented by the number here.
That being said... How many "default points" should you associate with an exercise upon creation?
As with difficulty, there is no straight forward and generally accepted way.
But as a guideline, we tend to give as many points by default as there are mathematical steps to do in the exercise.
Again, very vague... But the number should kind of represent the "work" required.
When you click an exercise into a collection, this number will be taken as points for the exercise, kind of "by default".
But once the exercise is on the collection, you can edit the number of points for the exercise in the collection independently, without any effect on "points by default" as represented by the number here.
That being said... How many "default points" should you associate with an exercise upon creation?
As with difficulty, there is no straight forward and generally accepted way.
But as a guideline, we tend to give as many points by default as there are mathematical steps to do in the exercise.
Again, very vague... But the number should kind of represent the "work" required.
About difficulty...
We associate a certain difficulty with each exercise.
When you click an exercise into a collection, this number will be taken as difficulty for the exercise, kind of "by default".
But once the exercise is on the collection, you can edit its difficulty in the collection independently, without any effect on the "difficulty by default" here.
Why we use chess pieces? Well... we like chess, we like playing around with \(\LaTeX\)-fonts, we wanted symbols that need less space than six stars in a table-column... But in your layouts, you are of course free to indicate the difficulty of the exercise the way you want.
That being said... How "difficult" is an exercise? It depends on many factors, like what was being taught etc.
In physics exercises, we try to follow this pattern:
Level 1 - One formula (one you would find in a reference book) is enough to solve the exercise. Example exercise
Level 2 - Two formulas are needed, it's possible to compute an "in-between" solution, i.e. no algebraic equation needed. Example exercise
Level 3 - "Chain-computations" like on level 2, but 3+ calculations. Still, no equations, i.e. you are not forced to solve it in an algebraic manner. Example exercise
Level 4 - Exercise needs to be solved by algebraic equations, not possible to calculate numerical "in-between" results. Example exercise
Level 5 -
Level 6 -
When you click an exercise into a collection, this number will be taken as difficulty for the exercise, kind of "by default".
But once the exercise is on the collection, you can edit its difficulty in the collection independently, without any effect on the "difficulty by default" here.
Why we use chess pieces? Well... we like chess, we like playing around with \(\LaTeX\)-fonts, we wanted symbols that need less space than six stars in a table-column... But in your layouts, you are of course free to indicate the difficulty of the exercise the way you want.
That being said... How "difficult" is an exercise? It depends on many factors, like what was being taught etc.
In physics exercises, we try to follow this pattern:
Level 1 - One formula (one you would find in a reference book) is enough to solve the exercise. Example exercise
Level 2 - Two formulas are needed, it's possible to compute an "in-between" solution, i.e. no algebraic equation needed. Example exercise
Level 3 - "Chain-computations" like on level 2, but 3+ calculations. Still, no equations, i.e. you are not forced to solve it in an algebraic manner. Example exercise
Level 4 - Exercise needs to be solved by algebraic equations, not possible to calculate numerical "in-between" results. Example exercise
Level 5 -
Level 6 -
Question
Solution
Short
Video
\(\LaTeX\)
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Visit our YouTube-Channel to see solutions to other exercises.
Don't forget to subscribe to our channel, like the videos and leave comments!
Exercise:
% NZZ Mo. . Mai Seite Im Rahmen der Kunstaktion glqq Zürich Transit Maritimgrqq wurde auf dem Prime Tower ein Nebelhorn der Firma Zöllner GmbH montiert. Es erzeugt in einem Meter Abstand einen Schallpegel von sidB. Der siHz-Ton soll sikm weit hörbar sein. abcliste abc Berechnen Sie den Schallpegel in den genannten sikm Abstand. abc Berechnen Sie die Schalldruckamplitude in einem Meter Abstand vom Horn. abcliste
Solution:
&texta fracJ_J_ fracr_^r_^ Rightarrow L_ lgfracJ_J_ lgfracJ_r_^J_r_^ lgfracJ_J_ +lgfracr_^r_^ &quad L_ L_ + lgfracr_r_ sidB+lgfracsimeeesim uulinesidB &textb J_ J_ ^L_/ fracDelta hatp^crho Rightarrow Deltahatp sqrtcrho J_ ^L_/ &quad Deltahatp sqrt sim/s .sikg/m^^ ^-siW/m^ ^/ uuline siPa
% NZZ Mo. . Mai Seite Im Rahmen der Kunstaktion glqq Zürich Transit Maritimgrqq wurde auf dem Prime Tower ein Nebelhorn der Firma Zöllner GmbH montiert. Es erzeugt in einem Meter Abstand einen Schallpegel von sidB. Der siHz-Ton soll sikm weit hörbar sein. abcliste abc Berechnen Sie den Schallpegel in den genannten sikm Abstand. abc Berechnen Sie die Schalldruckamplitude in einem Meter Abstand vom Horn. abcliste
Solution:
&texta fracJ_J_ fracr_^r_^ Rightarrow L_ lgfracJ_J_ lgfracJ_r_^J_r_^ lgfracJ_J_ +lgfracr_^r_^ &quad L_ L_ + lgfracr_r_ sidB+lgfracsimeeesim uulinesidB &textb J_ J_ ^L_/ fracDelta hatp^crho Rightarrow Deltahatp sqrtcrho J_ ^L_/ &quad Deltahatp sqrt sim/s .sikg/m^^ ^-siW/m^ ^/ uuline siPa
Meta Information
Exercise:
% NZZ Mo. . Mai Seite Im Rahmen der Kunstaktion glqq Zürich Transit Maritimgrqq wurde auf dem Prime Tower ein Nebelhorn der Firma Zöllner GmbH montiert. Es erzeugt in einem Meter Abstand einen Schallpegel von sidB. Der siHz-Ton soll sikm weit hörbar sein. abcliste abc Berechnen Sie den Schallpegel in den genannten sikm Abstand. abc Berechnen Sie die Schalldruckamplitude in einem Meter Abstand vom Horn. abcliste
Solution:
&texta fracJ_J_ fracr_^r_^ Rightarrow L_ lgfracJ_J_ lgfracJ_r_^J_r_^ lgfracJ_J_ +lgfracr_^r_^ &quad L_ L_ + lgfracr_r_ sidB+lgfracsimeeesim uulinesidB &textb J_ J_ ^L_/ fracDelta hatp^crho Rightarrow Deltahatp sqrtcrho J_ ^L_/ &quad Deltahatp sqrt sim/s .sikg/m^^ ^-siW/m^ ^/ uuline siPa
% NZZ Mo. . Mai Seite Im Rahmen der Kunstaktion glqq Zürich Transit Maritimgrqq wurde auf dem Prime Tower ein Nebelhorn der Firma Zöllner GmbH montiert. Es erzeugt in einem Meter Abstand einen Schallpegel von sidB. Der siHz-Ton soll sikm weit hörbar sein. abcliste abc Berechnen Sie den Schallpegel in den genannten sikm Abstand. abc Berechnen Sie die Schalldruckamplitude in einem Meter Abstand vom Horn. abcliste
Solution:
&texta fracJ_J_ fracr_^r_^ Rightarrow L_ lgfracJ_J_ lgfracJ_r_^J_r_^ lgfracJ_J_ +lgfracr_^r_^ &quad L_ L_ + lgfracr_r_ sidB+lgfracsimeeesim uulinesidB &textb J_ J_ ^L_/ fracDelta hatp^crho Rightarrow Deltahatp sqrtcrho J_ ^L_/ &quad Deltahatp sqrt sim/s .sikg/m^^ ^-siW/m^ ^/ uuline siPa
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